What I try to do – sometimes with great success, sometimes not – is to challenge myself by creating a new set of tools to work with. “You can do the same things over and over every day and eventually you're sounding like everybody else. Certain aspects of the instrument were boringly technical, and I guess you could say that I wasn't particularly interested in practicing. “From the beginning, I was faced with decisions on how I should apply myself to the guitar. I guess I was pretty fast when I started, but before long I started messing about and trying to see what I could come up with.”īecause of the young band's inexperience (only Clayton had played bass previously in a group context), cover tunes proved to be a problem they were forced to confront by writing their own material The Edge used this period in time to hone and perfect-what the world would soon hear. “I suppose at that time I knew some things,” Edge begins. What I try to do – sometimes with great success, sometimes not – is to challenge myself by creating a new set of tools to work with You can do the same things over and over every day and eventually you're sounding like everybody else. Reports regarding his nickname vary: his demeanor, possibly – some claim it's the shape of his head – but it's one he sticks by (unlike Bono, who has quietly stopped listing his surname as “Vox”).Īttempts at formal practice proved limiting, and so, fueled by the music of Television and the Patti Smith Group, The Edge forged ahead with his then-naïve approach to the guitar.īy the time the young Evans found himself in the same rehearsal room with Bono (also somewhat of a guitarist), Adam Clayton and Larry Mullen, his signature sound on the six strings was starting to jell. Almost like magic.īorn David Evans to Welsh parents (his father, Garvin, moved the family to Ireland), Edge took up the guitar as a teenager. ![]() ![]() The Edge's role in this passion play is as cataclysmic as Bono's lyrics in that, while coaxing never-before-heard-of guitar sounds from his Vox amp, he does far more for the good of the instrument-and music in general-and makes it appear so simple. The notion that bands must still pen odes to hot babes is one that the Irish quartet negated from the beginning. U2's songs, lately lamenting drug addiction in America, isolation, the desert and just about every nuance of the human condition debunk the immature illusion of what rock songs are supposed to concern.
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